20.50
Nasrul Umam
is one of the many dances that evolved under the Sultanate of Serdang in Serdang Bedagai (formerly Regency Deli Serdang). This dance is a kind of traditional dance that is played as a social dance that contains messages about the way the story of a young boy in search of a mate, ranging from introductory to enter the stage of marriage. This is one way the Deli Malay community in the teaching of the search procedure for a mate to the young generation. So the Twelve Dancing Serampang a predilection for the younger generation to learn the process that will be passed later on if you want to build a palace household.Dance Name Serampang Twelve formerly known as Dance Island Sari. This refers to the title song which accompanies the dance, the song Sari Island. This dance was created by Sauti in the era of the 1940s and re-composed between 1950?? 1960. Sauti who was born in 1903 in Cote Mirror, Serdang Bedagai when creating Serampang Twelve Dancing on duty in PP & K Office of North Sumatra Province. On the initiative of the Office of the shelter, Sauti conjunct become teachers in the Cultural Representative Office, North Sumatra in Medan. At that time sauti created several dance creations of the famous to the present including the Twelve Dancing Serampang. In addition to the Twelve Dancing Serampang, Sauti also managed to compose Many diagnostic another dance, the dance type which consists of the Three Dance Kuala Deli humming with the song, Dance with the song Mak Mak Host Host Pulau Kampai, and Dance Songs Two with songs Tanjung Katung.
At the beginning of its development, Twelve Dancing Serampang should only be performed by men. This is because the condition of society at that time forbade women to appear in public, let alone show lenggak body-sway. But with the times, where women are able to participate more freely in all activities, then the Twelve Dancing Serampang then be played in pairs between men and women in various party and performance arena.
Until now, the Twelve Dancing Serampang has developed into several regions in Indonesia in addition to North Sumatra, Riau, Jambi, Kalimantan, Sulawesi, even up to the Moluccas. In addition to known and played throughout the country, Dance Serampang Twelve also known and often performed in several neighboring countries, like Malaysia, Singapore, Thailand, and Hong Kong. The existence of the Twelve Dancing Serampang this Sauti work, exceptional acclaim throughout the country and neighboring countries. Along with this development, the Local Government Serdang Bedagai beinisiatif to protect the copyright of this dance as an asset and the wealth of the area. To support this plan, the local government held a seminar on Serampang Dance of the Twelve. This is done to re-introduce the public a lot about the origins of this dance, so that younger generations know and understand. In addition, there was also a variety of dance performances Serampang Twelve competitions especially for the people who are in the area of Serdang Bedagai.
Until now, the Twelve Dancing Serampang has developed into several regions in Indonesia in addition to North Sumatra, Riau, Jambi, Kalimantan, Sulawesi, even up to the Moluccas. In addition to known and played throughout the country, Dance Serampang Twelve also known and often performed in several neighboring countries, like Malaysia, Singapore, Thailand, and Hong Kong. The existence of the Twelve Dancing Serampang this Sauti work, exceptional acclaim throughout the country and neighboring countries. Along with this development, the Local Government Serdang Bedagai beinisiatif to protect the copyright of this dance as an asset and the wealth of the area. To support this plan, the local government held a seminar on Serampang Dance of the Twelve. This is done to re-introduce the public a lot about the origins of this dance, so that younger generations know and understand. In addition, there was also a variety of dance performances Serampang Twelve competitions especially for the people who are in the area of Serdang Bedagai.
B. Feature
The name of the Twelve Dancing Serampang actually taken from twelve varieties of dance movements that tell you about the stages of the process of finding a mate to enter the stage of marriage. Variety is the beginning I dance with rotating motion while jumping small that describes the first meeting between a male and female. This movement tells of meeting a young man who interrupted a questioning attitude and shy.
Variety II is a dance movement that carried a small walking, then twisting and turning to the original position as a symbol start growing the seeds of love between two beings. Variety II tells about starting the growing sense of love between two hearts, but they have not dared to say it.
Variety III shows the rotary motion (dance Dizziness) as a symbol of love is being harbored. In this dance of young men and women seem more often to meet, thus making more and more love blossomed. However, they still internalize it without being able to say it. Movements in this dance describes the anxiety that kept his two beings.
The name of the Twelve Dancing Serampang actually taken from twelve varieties of dance movements that tell you about the stages of the process of finding a mate to enter the stage of marriage. Variety is the beginning I dance with rotating motion while jumping small that describes the first meeting between a male and female. This movement tells of meeting a young man who interrupted a questioning attitude and shy.
Variety II is a dance movement that carried a small walking, then twisting and turning to the original position as a symbol start growing the seeds of love between two beings. Variety II tells about starting the growing sense of love between two hearts, but they have not dared to say it.
Variety III shows the rotary motion (dance Dizziness) as a symbol of love is being harbored. In this dance of young men and women seem more often to meet, thus making more and more love blossomed. However, they still internalize it without being able to say it. Movements in this dance describes the anxiety that kept his two beings.
Variety IV performed with dance moves like a drunk as a symbol of two pairs of lovers who are intoxicated kepayang. Dance movement is played with melenggak-sway and stagger like a drunk. In this range (Stage IV) has begun the process of meeting depth and spirit of this dance describes the condition of the two beings who are intoxicated kepayang because help feeling that never goes out.
Variety V is done by walking on catwalk as a symbol melenggak beckoned. In this range, women trying to express a sense of joy and love by making a gesture toward the man, by the movement following the pair on a regular basis. Dance movement in Variety V is often called by various crazy.
Variety VI is a movement-dance with attitude goncet goncet as a symbol of both human gesture reply which was hit by love. In this range, described the man who tried to catch the signal given by the women by moving one hand. The young men and women then do the dance with the rhythm of steps between young men and women.
Variety VII begins by moving the left foot / right as a symbol suspect. This illustrates the agreement between the two pairs of lovers in the capture signal is given each other. From these cues they had been convinced to continue the story that they hammock until entering the stage of marriage. After the pledge is spoken, then a pair of lovers who are romantic couple is getting ready to go home to continue the wonderful story next.
Variety V is done by walking on catwalk as a symbol melenggak beckoned. In this range, women trying to express a sense of joy and love by making a gesture toward the man, by the movement following the pair on a regular basis. Dance movement in Variety V is often called by various crazy.
Variety VI is a movement-dance with attitude goncet goncet as a symbol of both human gesture reply which was hit by love. In this range, described the man who tried to catch the signal given by the women by moving one hand. The young men and women then do the dance with the rhythm of steps between young men and women.
Variety VII begins by moving the left foot / right as a symbol suspect. This illustrates the agreement between the two pairs of lovers in the capture signal is given each other. From these cues they had been convinced to continue the story that they hammock until entering the stage of marriage. After the pledge is spoken, then a pair of lovers who are romantic couple is getting ready to go home to continue the wonderful story next.
Variety VIII done jumped back and forth motion the process of convincing ourselves symbol. This movement is done by jumping as much as three times that done while back and forth. Youths who had been promised, tries a back pervading and try to convince myself to enter the next life stage. Dance movements performed by the motion revelers who showed a pair of lovers are cool bersenda-joked before entering the second level of recognition with a large family.
Variety IX is a dance movement that carried out by soaring as a symbol of waiting for an answer. Dance movements depict the efforts of young people to ask for blessing to the parents to accept their chosen partner. Both these young people pounding waiting for an answer and the blessing of their parents.
Variety X describes the movement come together as a symbol of the process of making a proposal on the part of men to women. Once there is certainty answer and the blessing of both parents of each, then the youth took the initiative to do the suit against the woman. This is done for a long love blossomed to unite in a holy bond, namely marriage.
Variety XI shows the movement of a wide road way as a symbol of the bride drove to the altar. Once the proposal raised by youths received, the family will hold a second marriage. Dance movements are usually done with the feel cheerful as an expression of gratitude for the merging of two lovers who long aisle toward the romantic couple with a happy heart.
Variety XII or the last range menggunanan played with a handkerchief as a symbol has been menyatuya two hearts that loved each other in matrimony. In this range, motion carried with a handkerchief dance that blends the manggabarkan two young children ready wading river craft household, without being able to be separated either in a state of good and bad.Variety IX is a dance movement that carried out by soaring as a symbol of waiting for an answer. Dance movements depict the efforts of young people to ask for blessing to the parents to accept their chosen partner. Both these young people pounding waiting for an answer and the blessing of their parents.
Variety X describes the movement come together as a symbol of the process of making a proposal on the part of men to women. Once there is certainty answer and the blessing of both parents of each, then the youth took the initiative to do the suit against the woman. This is done for a long love blossomed to unite in a holy bond, namely marriage.
Variety XI shows the movement of a wide road way as a symbol of the bride drove to the altar. Once the proposal raised by youths received, the family will hold a second marriage. Dance movements are usually done with the feel cheerful as an expression of gratitude for the merging of two lovers who long aisle toward the romantic couple with a happy heart.
Variety dance that played in the Twelve Dancing serampang grow beautiful and interesting with the composition of colorful clothes worn by the dancers. Lenggak-sway of the dancers so graceful with a satin wrapped that characterizes traditional clothes of the Malay community in the east coast of Sumatra Island. Handkerchief dress complete blend which is then used as a medium of dance at Dance Serampang closing movement of the Twelve.
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