Selasa, 15 November 2011

Houses Lancang (Traditional House Kampar regency, Riau Province)



Home or Pencalang Lancang is the name of one of the traditional public house Kampar regency, Riau Province, Indonesia. In addition to the name or Pencalang Lancang House, The house is also known as House Lontik. Called Lancang or Pencalang because the shape of the foot front wall hangings like a boat, a house wall is tilted out like crooked walls their sailboat, and when seen from a distance form the house like a boat Homes (Magon) used to make the population. While the name is used because it forms perabung Lontik (ridge) melentik roof upwards.
The house is a house Lancang stage. Stage of construction type is selected to avoid the danger of attack beast and flood. In addition, there is a social custom to use as a cattle shed below the house, boat storage container, the building, where children play, and the woodshed, as preparation for the month of fasting. In addition, house-shaped stage of development so as to enter it must use a ladder rung having an odd number, five, is a form of expression of public confidence.
The outside walls are entirely skewed Houses Lancang out, in contrast to the perpendicular wall. Beam pedestal outside the front wall curved upward, and, sometimes, spliced ​​with carvings on the corners of the wall, it looks like a boat. Beam cap over the wall as well, although not semelengkung beam curved pedestal. Curve follows the underside of the roof arch. Both ends of ornate perabung called sulo Bayung. While sayok lalangan an ornament on the four corners of the eaves. Form of decoration varied, there's that resemble a crescent moon, buffalo horns, spurs, and so on.
The existence of Lancang House, it seems, is the result of the acculturation process of the original architecture and the Minangkabau society Kampar. Basic and wall house shaped like a boat is a hallmark of Kampar society, while the tapering shape of the roof (Lontik) are characteristic of Minangkabau architecture. The process of acculturation occurs because the architecture is a groove voyage Kampar, Sungai Mahat, from Lima to the area of ​​Tanah Datar Koto in Payakumbuh, Minangkabau. Five area includes the village of Koto Rumbio, Kampar, Water, Tiris, Bangkinang, Salo, and Kuok. Therefore Kampar is part of the groove mobility of society, the process of acculturation is very likely to occur. The results of the acculturation process is visible from the uniqueness of Lancang House more or less different from the architecture of buildings in the area of ​​mainland Riau and Riau Islands.

Kajongan Bedaya dance from cirebon

Kajongan Bedaya dance at the King Dzoelkarnaen created during Sultan Sultan Kanoman to VIII, who in it
bringing moral values​​, social ethics, philosophy of life and history.
This dance has included the endangered category of art, dance Bedaya pentaskan Kajongan was last in the early 1970s.

Dance Bedaya Kajongan actually not in the pentaskan or permitted to be seen than the family palace. However, the relatives in the present era in pertontonkan want this dance back to the public, to increase the cultural treasures Cirebon and Indonesia. Permission from the Sultan Kanoman top dance Bedaya XII Kajongan pentaskan again exactly in the neighborhood In the palace Kanoman Cirebon. For the humanists who understand this history can provide input for the royal family will grip-grip this dance, because they had already forgotten.

   Two dancers on whom these Kajongan Bedaya Rd. Nurmini & Rt. Anah. These dancers have a bachelor's Queen, and one of them had problems with hearing, so at the time of dancing she only saw his main opponent's movements. Rhythmic strains accompanying gending also sounded soft and with a slow tempo, the mood was quiet amazed by the graceful movements of the dancer. There is emotion behind this performance because of those who remembered the dance of their ancestors who last taught in the past.

Balumpa dance from southeast Sulawesi

Balumpa dance is a dance of welcome guest in a grand welcome.
This folk dance originating from southeast Sulawesi Buton

Tari polopalo from Gorontalo

Polopalo dance is social dance for young people Gorontalo area.
 Can be found two kinds of Polopalo Polopalo ancient / traditional and today's Polopalo / pitched. Polopalo earlier times only played alone or solo instrument while Polopalo now played in groups by using the composition and arrangement. Polopalo ancient musical instrument played by hitting Polopalo to the bat and gets knee limb is uniformly, whereas today Polopalo instrument is played by hitting the instrument only to bat only. But now this technique Polopalo play much more demanding the ability to adjust the rhythm and musicality to the composition and arrangement are given in Polopalo musical instrument. Polopalo Polopalo earlier times and today it has the basic ingredients of bamboo. Form both glance resembles a giant tuning fork. The most striking difference of the two types of lies in this Polopalo, Polopalo today does not have a hole at the base Polopalo Polopalo while in earlier times there are holes to distinguish the color of sound. But in the absence of Polopalo first time tuning process / 'tuning', being at present there Polopalo tuning process is done by gradually whittle lidahPolopalo. These developments fit the reality in the Gorontalo area, where the craftsmen music Polopalo perform a variety of ways to meet community needs in the pattern of thought has been influenced by global developments with the demands of progress instantly from a variety of factors. For example, economic factors, social, and techniques in it 'technique' of art (music).

Senin, 12 September 2011

Dance Lumense / Tari Lumense

Lumense derived from the word meaning Lume fly and Mense meaning itinggi, so Lumense means flyinghigh. This dance originated from Sub District Kabaena Bombana. The meaning of this dance is worship tothe Gods.

Gong dance / Tari Gong

Gong dance, just as the name suggests, is a dance that is played using a musical gong. The dance itselfdescribes the tenderness of a girl, who writhed like a paddy. This dance is performed by a girl dressed intraditional Dayak Kenyah. Body and hand movements are slow and gentle, and the dominance of bird feathers in her clothing style is a characteristic that we can see in this dance.

Selasa, 26 Juli 2011

Dance Umbrella / Tari Payung

Dance Umbrella is one of the classical dance of Minang Region and describes the love of a lover who is symbolized by protecting with her umbrella.

This dance is a social dance that young people brought in pairs. In addition to using an umbrella as a tool that is played by male dancers, could also be coupled with a scarf for the female dancers.

Tanggai Dance

Dance is a dance date of the offering, addressed to guests who have the invitation. One is dedicated to the wedding customs of South Sumatra region generally. To honor and invited guests are welcome implied. With the Gending Sriwijaya dance tune is presented makes the event more lively. With the flexibility of hands and fingers lentiknya dancers show how sincere the hosts pay their respects.

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